3 Ewing 33 Hi Releases You Should Check Out

3 Ewing 33 Hi Releases You Should Check Out

3 Ewing 33 Hi Releases You Should Check Out

Ewing Athletics has been making a lot of noise lately by retro-ing classic Ewing models as well as keeping a array of dope collabs with Teyana Taylor, Fabolous and more rolling out the past few years. The Ewing 33 Hi is a classic, I decided to pick out 3 that you should have your eye own right now! Check them out below and let us know what you think in the comment box!

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Black Cement (1)

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Black Cement

The Ewing 33 Hi Black Cement released in late December 2016. This release features a Black nubuck upper with Cement Grey, red and white detailing. No story behind this color scheme, but this is a clean, classic OG sneaker head colorway, easy to match and it's in stock now via Ewing Athletics. 

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Slam Magazine

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Slam Magazine

The Ewing 33 Hi Slam release pays homage to NYC roots of Ewing x Slam Magazine! The shoe is mainly white with Shocking Orange and black accents, on top of ice sole. This pair also features SLAM’s signature branding on the heels and tounge! 

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Charlotte

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Charlotte

Last but not least, we have the Ewing 33 Hi Charlotte release. This sneakers theme pays homage to Patrick Ewing's coaching career with the Charlotte Hornets. This Aqua treatment is super clean and this pair features a icey clear sole. This pair is also available via Ewing Athletics. Which pair is your favorite? Let us know in the comments and stay tuned for more release info here on our blog!

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Black Cement (2)

3 Ewing 33 Hi Releases You Should Check Out - Ewing 33 Hi Slam Magazine (2)

Posted: Jan 23 2017
by: Ray Figgs

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